Ancient structures - from Stonehenge to the Pyramids to Easter Island - indicate civilization’s values, culture, and everyday lives. Public sculpture, a forum inherently connected with “place”, is today’s equivalent. In the eternal tradition of “leaving one’s mark”, public art uses site and surroundings as communicative devices. I see art as a mouthpiece, creating a dialogue between viewers and their environments. My sculpture conveys connections to our past, present, and future. Metal emulates movement and physicality as I explore classic forms like arches, obelisks, and even the pi symbol. From simple to esoteric, bold gestures inform my aesthetic. Familiar figures walk, bend, and cavort; their original connotation given a playful twist, but never lost. With tongue in cheek, my sculpture keeps an eye toward the past while hoping to move forward…sometimes literally.